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Get all the latest info on Top Drawer Digital & Bass Elements Releases, Freebies, Archived Radio shows and more .... http://www.topdrawerdigital.com/ If you havnt already and you are feeling my vibes then feel free to give my pages a like https://www.facebook.com/Digitally.Mashed https://www.facebook.com/AndyDMBryan https://www.instagram.com/andydigitallymashed/ https://twitter.com/DigitallyMashed Digitally Mashed is a distinguished DJ whose career spans over three decades, marked by an unwavering passion and versatility across a broad spectrum of underground dance music genres. His journey began in the vibrant UK rave scene of the early '90s, where he honed his skills and developed a deep appreciation for electronic music's evolving landscape. Pioneering the J-Tek and Future Jungle Movements In the late 2000s, Digitally Mashed made a notable return to the music scene, collaborating with producer Lucas under the Top Drawer Digital label. Together, they were instrumental in pioneering the J-Tek and Future Jungle genres—innovative blends that fused elements of jungle, techno, and breakbeat. This collaboration not only redefined the boundaries of electronic music but also positioned Digitally Mashed as a leading figure in the 140 bpm bass music scene. Collaborations with Jungle Legends Building on his momentum, Digitally Mashed joined forces with jungle luminary Marvellous Cain and the esteemed RIQ Yardrock label. This partnership saw him delve deeper into the Ragga Jungle and Jungle Drum & Bass scenes, where his dynamic sets and engaging radio shows garnered widespread acclaim. His contributions were recognized with consecutive nominations at the We Love Jungle Awards, underscoring his influence and dedication to the genre. Versatility Across Genres Beyond his contributions to jungle and bass music, Digitally Mashed is celebrated for his eclectic DJ sets that traverse a multitude of genres. Whether performing on vinyl or digital platforms, he seamlessly blends Garage, House, Breaks, Old Skool Rave, Piano House, Speed Garage, Classic Trance, Progressive Trance, Electro, and Breakbeat. His deep-rooted knowledge and love for these styles enable him to craft sets that resonate with diverse audiences across the UK. Engagement with the Community Digitally Mashed maintains an active presence on social media, particularly through his Facebook page, where he shares updates on upcoming performances, collaborations, and insights into the dance music scene. His engagement with fans and fellow artists reflects his commitment to fostering a vibrant and inclusive music community. BasementApproved Legacy and Influence With a career characterized by innovation, collaboration, and a relentless pursuit of musical excellence, Digitally Mashed has left an indelible mark on the underground dance music landscape. His pioneering efforts in emerging genres and his ability to adapt and evolve with the times have solidified his status as a respected and influential figure in the industry. For those eager to experience his unique style and energy, Digitally Mashed's performances offer a journey through the rich tapestry of dance music, delivered with the expertise and passion that only decades of experience can provide.. DM also plays - Rave, OldSkool Piano House & Club Classics, OldSkool Jungle D&B, Garage, Speed Garage, House, Classic Trance, Progressive Trance, , Electro, Breakbeat, Harddance For bookings contact me direct @ andyb123abc@yahoo.com http://www.mixcloud.com/digitallymashed and http://soundcloud.com/digitally-mashed https://www.facebook.com/AndyDMBryan http://www.facebook.com/Digitally.Mashed http://www.topdrawerdigital.com/ http://www.facebook.com/topdrawerdigital http://www.facebook.com/YardrockJunglistFoundation
Following since 2 days ago
Exit Point's passion for the music began in the early 90s, a fan of the Madchester sound of The Stone Roses & Happy Mondays, from here, his musical tastes shifted to the underground Rave sounds of the mid 90's after being introduced to a mixtape by a friend. This led to Exit becoming an avid listener of the local pirate stations, Mix FM, Fresh FM (Leicester) & Kool FM (Birmingham).This keenness further led Exit to take up DJ'ing, initially with a pair of Soundlab belt drives & a Numark mixer. Exit got into the Jungle sound in 1994 and would buy his vinyl from the legendary 5HQ shop in Leicester.
Following since 2 days ago
I got into electronic music right after High School. (Honestly truth be told I have always been into it when you include groups like NIN and Gravity Kills, to name a few, but I didn't find dance music until post High School)... I went to my first club in 1999, and saw DJ Monk (co-founder of the group Rabbit in the Moon). And he was just too wicked, mixing records, scratching, adding effects, I watched him and watched him, he never stopped moving, he was always doing something tweaking this, adding that. It was an awesome show to watch and hear. I heard and saw all this and I was hooked. I knew I wanted to spin right away, and I had dreams as high as the sky, imagining seeing the world, and meeting new people, and playing in venues in places I never even knew existed. That never happened, but I'm okay with that, I played some open decks and did a few house parties, but mostly I just did what I did, because I enjoyed doing it. When someone asks me for a hero Monk is still the first name that pops into my mind, he introduced me to one of my biggest passions, all thanks to one night all those years ago. I went out bought a Numark all in one package, not long after I had been consumed by the scene and used it awhile until I realized what crap I had, belt drive tables and mixer with a crossfader that jumped in and out as I was mixing. I eventually replaced all that with the setup I currently have which is a pair of Stanton STR8-100's and a Denon DN-X800, later on; I also purchased a Denon DN-F2600 dual disc CD player, which have recently been replaced with a pair of Stanton c.314's. I use Ortofon Concorde Elektro needles and Denon HD-1000 headphones, and I couldn't be more pleased with my setup. I bought the STR8-100's when they very first came out, and the reason I did was because I had become very attached to the key correction function of the CD player, and I thought it would be awesome to have it on my tables too. Unfortunately the key correction on the model I got never really worked all that well, it creates this funny reverb effect. It is so overpowering it is difficult to tell which beat was the real one, and it makes it hard to mix, so I never use it. However, in my opinion the motors are at very least very comparable to 1200's, so I have never really had the desire to replace them. Except for maybe with one of the new model 150's, only because I hear they finally got the key correction to function properly, the 150’s are supposed to have even more torque, but like I said before, the torque on mine is fine. I don’t scratch so super high torque tables are not a necessity for me, so I will run with my 100’s until they die. All of that is really moot anyway, while I still have my tables and can still use them, I rarely do. Most of the time I use my digital setup, which consists of a Denon MC6000, a pair of Kontrol F1s, Maschine, a Kaoss Pad Quad, and Traktor. I enjoy a very wide range of music, and if you listen to my sets, you'll rarely hear me play an entire set of single genre, most of the time it is three or four different genres. And what I enjoy most with the digital setup, is that I have so much more music at my disposal, and it is a lot more accessible that trying to thumb through a thousand records. My style of mixing has evolved a great deal since switching to digital as well, so much so that I don't enjoy traditional mixing as much anymore either, I use a lot of cue points and loops in my mixes, and you can't do that with vinyl. I suppose you could with Traktor Scratch and set of Dicers, but I don't really see the point considering that that I don’t scratch, nor do I have any real desire to. It doesn't really fit what I do.Life moves quickly, and life had more responsibilities than my teenage dreams allowed for, and I wound up settling down. I got married and had a couple of kids and mixing kind of took a backseat for a few years... …Fast forward to a few years ago, I got my hands on an iPod and started jamming out to my tunes again, because it was all so easily accessible, which in turn made want to mix again, but I still rarely found the time to do it. Until I got my hands on a copy of Virtual DJ, and I got all pumped up. I started recording mixes. I was rejuvenated all over again. Not that I really have aspirations for a worldwide tour anymore, but simple act of blending one track into another was as exciting as it was the first time I did it, and I was having a lot of fun doing it. So, I kept at it, and made some new like minded friends. I got picked up on Gremlin Radio a few months after I started mixing again, and I have been there ever since. I love it; we have a very cool group of people contributing to the station. I've been there since 2011, and don't plan on going anywhere. I was recently made an administrator for the station as well, my main role is to set up their streams when they join the station, but I also look for new DJs to join our ranks amongst other things as well. So if you interested send me a PM, or find me on Facebook or something, just find a way to get me your demo. I'm always scouting for new talent to join our collaborative. Currently we have around 40 DJ’s in the fold, but we are looking to have live DJs 24/7. Anyhow, I can ramble on and on, but in the end we are all here for the same reason, we love music... Take a listen to my sets, and let me know what you think, good or bad. All comments will be greatly appreciated.. Thanks for stopping by and checking me out and I hope you enjoy what you hear... >>> Peace.Love.Unity.Respect <<<
Following since 2 days ago
Jean Luc is one of the most successful czech producers, remixers and DJs. He has released his first single at the age of 15. Although he has been engaged in the music scene only for a few years he has already received very positive reviews to his work as well as support from all over the world. His music production has been supported among others by Paul Van Dyk, EDX, Don Diablo, Alex Gaudino, R3hab, Plastik Funk, Andy Moor, Markus Schulz, Juicy M, Nari & Milani, Kosheen, Marcel Woods, BORGEOUS, Alex M.O.R.P.H., Joachim Garraud, Daniel Portman, Judge Jules, Ernesto vs Bastian, Manuel Le Saux, Jon O’Bir, Robert Gitelman, Tillmann Uhrmacher, T.O.M., Michael Burian, Dazzle, EDU, Haris C, Joop, Ashley Wallbridge, Giuseppe Ottaviani, tyDi, Jonas Hornbla, Robert Vadney, Suzy Solar, RAM, Will Atkinson, Talla 2XLC, M.I.K.E., Luke Terry, Danilo Ercole, Paolo Ortelli, Randy Boye, SAN and others. He is officially remixing and co-operating with names like Kosheen. Jean Luc is becoming a post-producer of top DJs as well. His production can be heard in prestigious labels KONTOR Records, Universal Music, Bonzai Music, Fektive Records, Diverted Recordings, Total Digital Recordings and others. These can be bought on famous servers such as Beatport, Juno, iTunes, Google Music, etc. As DJ Jean Luc performs at foremost czech festivals and events such as Mácháč (2010, 2012, 2014, 2015, 2017), Citadela, Air Festival 2017, Sázavafest (2013, 2015), Summer CityFest 2015, Cityfest (2017,2018), Metronome Festival 2018, Holi Festival 2015, Pohodafest 2013, Summer Session (2010) or Pleasure Island (2011). He can be heard in great variety of clubs: Roxy Club Prague, Duplex Prague, Pantheon, Maxim Bar/1OneClub, Retro Music Hall, SaSaZu, Mecca Club Prague, Chapeau Rouge, Radost FX, Kotnov, Mish-Mash, Bílý Kámen and other clubs, where he played together with names: Paul Van Dyk, Andy Moor, Kyau & Albert, Marlo, Gareth Emery, Sander van Doorn, Richard Durand, Andrew Rayel, Andrew Bayer, Omina, Jordy Dazz, JD Davis, Booty Luv, Crystal Waters, Milk & Sugar, Paula P’Cay, Tara McDonald, Stoneface & Terminal, Afrika Islam, Ian Void, Ali Wilson, Jay Dee, Jasper Forks, Emma Hewitt, Jacob van Hage, San, etc. His DJ style features strong combination of hard beat and melody that is characterized by parts of progressive and electrotech style in an energetic set. He can adjust style of his sets to any kinds of audiance. Jean Luc is constantly woking on new projects and is heading towards a solo carrier as DJ and producer.
Following since 2 days ago
Sheffield, UK. "There is something beautifully old school, yet at the same time bang up-to-date about the UnderHeadz's sound, from thumping mixes that will keep you bouncing for hours, to some head-bobbing, face-scrunching original tracks. We probably don't need to say much more Have a listen for yourself . . ." Funk and Filth 2014 Please check out our other pages... Soundcloud: https://soundcloud.com/underheadz Facebook: https://www.facebook.com/UnderHeadz Thanks for your support !!!
Following since 2 days ago
Karo_Korwel - Ireland Karo Korwel is a bitchin' hot DJ.My career as a DJ started in 2000 when I emigrated to Spain for few years, and while partying I met some fantastic DJs who inspired me to hit the decks and start mixing. In 2004 I arrived in Ireland, where it all kicked off. In 2006 I started to play at parties and festivals, and became resident DJ at several clubs in Galway city, the party capital of the west of Ireland. Over the past few years I have built a loyal fan base and now I DJ regularly at premier clubs in West Coast of Ireland. Come hang out with me on Facebook for bitchin' tunes, fun times and photos of my gigs > Click to find me >> www.facebook.com/karokorwel
Following since 2 days ago
I started to spin records in 1990. Played in local clubs and went to many raves. In the late 90's I started Evil Activities and made tracks like "Darkness At Noon", "Harder & Harder", "Way Of Life", "What's Inside Me", "Be Quiet" and many more. I played in clubs all over the world but because of family problems I left EA in 2003. Now I just wanna share some old & new mixes with you. Enjoy! You can find my discography here: http://www.discogs.com/artist/Telly+Luyks
Following since 2 days ago
SOUNDCLOUD.COM/MATTHEWCRAIG88 Matthew Craig aka Matty.B started DJing at 14 years of age in his bedroom driving his mum insane with the loud tunes blasting out constantly. He then went onto start professionally DJing in bars and clubs at the age of 16 playing all types of House Music. He is very well known in his local town Huddersfield for his House & Dirty Bass influenced sets. Which to this day still see's his following still going strong from event to event. Matthew has also become a well known DJ around all of Yorkshire from performing at some of the North's biggest clubbing events for some of the House Scene's biggest brands ! Such as, Sleepin Is Cheatin, Hectik, Twilite, Movement, Insomni-Fest, 20 Years Of Niche, FearFest, SpringFest, Parked Out, Addicted, Back2Bass, 2-Bad + many more !!
Following since 2 days ago
i started djing at 16 after months of begging the parents for months to buy me some 1210s,which i still use today going strong.my passion in music has to be old school piano,retro and vocal funky house if you cant sing to it then its no good lol.in the early nineties i started going clubbing,and for me to this day was the best for music.when i first got my 1210s i had no intension of djing in clubs it was just a hobby for and for my own enjoyment.i was actually tricked by a fellow dj and good friend who was already djing in clubs,when he phoned me up one thurday night and said he was ill and needed me to help him out and play at a bar for him,to which i found out later it was actually a dj competition to which he entered me and to my surprise i won to which the prize was residency at bradfords biggest dance club which pulled 700 to 800 in every friday and saturday night,my first night djing in the club was christmas eve which was packed out and i was shitting it,it was a big difference mixing some tracks in the bedroom and then to bid audience but i absolutely loved it and was hooked,and so my djing career was born. within the first year things went from strength to strength playing in numerous clubs all over yorkshire and holding down residencys and playing alongside some of the biggest names in the country (alister whitehead,k klass,paul taylor just to name a few) i was more known as a dj for my old school sets and so i was made a resident for retro which took me to ibiza djing at eden and loved every minute. in the mid 2000s i began working with a fellow dj (adam g) at a place called bar me which was just a bar not a club,but in the first 6 months playing there the profits soared 700% and went from a free bar and having to pay in on the door,so we sat down and thought were on to a winner here and decided to brand our own night and event,and so worship was born. our brand of night went from strength to strength holding down rooms at space,gatecrasher,visage and ethios,garlands and many more,we even ended up with our own radio show on a friday night on dvm radio (dance vinyll masters). i think the reason our night worked so well was because we didnt brand it as one style of music it was straight across the board,if it was a classic then it got played. in 2008 we decided to pull the brand as we both wanted to persue over interests,i decided to take a break from djing as it got to a stage where i stopped enjoying it and felt more of a chore going to work instead of doing something i loved. so now im back,loving my music more then ever and back on the scene :-)
Following since 2 days ago
I bought my 1st set of decks in 93..and still have em! :) DJ'd at friends partys and once at BAR PERU bolton waaay bk in 96.... Frequented many of the great clubs in the 90's starting with PLEASUREDROME in farnworth then WIGAN PIER &amp; MAXIMES in wigan,followed LIFE to the mighty BOWLERS,aswell as KINETIC,SHELLYS, and some mint allnighters VISION 93. Put out my raving shoes to pasture in 96,when in my opinion..it all went down hill and lost the 'VIBE' :( The revival of the 'oldskool scene' has got me back into the music that i sadly lost contact with for a few yrs,aswell as breakbeat and nu-rave. Slowly getting into buying vinyl again after a 2-3yr gap of only playing mp3's and loving the challenge. My mixes aint perfect...but hope you enjoy them all the same. My set up- TECHNICS 1200'S BEHRINGER DJX700 mixer. Old and new mixes will be posted as i have loads on soundcloud,mediafire,4shared yaada yaada..all comments welcome,good n bad lol thanks :)
Following since 2 days ago
EZ NOW IM DANNY HAIGH , THIS IS THE NAME I GO BY IN JACKIN N WELECTRO , I ALSO GO BY THE NAME AIGHY IN 4X4 BASSLINE .. I PRODUCE 4X4 AS WELL N HAVE A BIT OF A NAME IN THAT SCENE . BEIN DJIN ABOUT 15 YEARS IM 29 NOW , STILL GOIN STRONG AND I GAURANTEE TO BRING STAND OUT SETS EVERY SINGLE TIME WETHER DJIN IN A CLUB OR ON A CD .. BIG WORDS I KNO BUT CHECK MY STUFF N YOULL SEE .. JUST GAINED MY FIRST MAJOR RESIDENCY AT A BRAN NEW JACKIN NIGHT TO HIT THE CLUB THREAD IN LEICESTER CALLED KOOKY .. PLEASE FOLLOW ME ON HERE AND FEEL FREE TO ADD ME ON FB TO GET FIRST DIBS ON MY MIXES , TUNES ETC ETC ..
Following since 2 days ago
Pioneer CDJ 400's Beringer djx 750 Pro Mixer American Audio VMS4 Controller AKG K518 Headphones Samson Mediaone 5A 80 Watt Active Monitors Desktop PC Laptop Traktor Scratch Pro Ableton Live and Reason for production
Following since 2 days ago
